They hunt to live. It lives to hunt.
When danger threatens her camp, the fierce and highly skilled Comanche warrior Naru sets out to protect her people. But the prey she stalks turns out to be a highly evolved alien predator with a technically advanced arsenal.
Adult Status :
Movie ID : 766507
Movie Language : en
Original Title: Prey
Popularity : 352.459
Release : 2022-08-02
Movie Title : Prey
Rate : 7.8
Vote Count : 5290
Genre IDs : 53,28,878
Genres : Thriller, Action, Science Fiction
Tagline : They hunt to live. It lives to hunt.
Revenue : 0
Runtime : 100
Status : Released
Movie Collection
Collection ID : 399
Collection Name : Predator Collection
Movie Production Studio
Company Name : 20th Century Studios
Budget : 65000000
HomePage : https://www.20thcenturystudios.com/movies/prey
IMDB ID : tt11866324
Country Code : US
Country Name :
Spoken Language : English
Company ID : 127928
Company Logo : [COMPANYLOGO]
Company Country : US
Video
Casts and Crews
Cast
- Amber Midthunder ( Amber Midthunder ) Acting as Naru
- Dakota Beavers ( Dakota Beavers ) Acting as Taabe
- Michelle Thrush ( Michelle Thrush ) Acting as Aruka
- Stormee Kipp ( Stormee Kipp ) Acting as Wasape
- Julian Black Antelope ( Julian Black Antelope ) Acting as Chief Kehetu
- Dane DiLiegro ( Dane DiLiegro ) Acting as Predator
- Stefany Mathias ( Stefany Mathias ) Acting as Sumu (Chief Wife)
- Bennett Taylor ( Bennett Taylor ) Acting as Raphael
- Mike Paterson ( Mike Paterson ) Acting as Big Beard
- Nelson Leis ( Nelson Leis ) Acting as Waxed Mustache
- Tyson Carter ( Tyson Carter ) Acting as Huupi
- Skye Pelletier ( Skye Pelletier ) Acting as Tabu
- Harlan Blayne Kytwayhat ( Harlan Blayne Kytwayhat ) Acting as Itsee
- Corvin Mack ( Corvin Mack ) Acting as Paaka
- Samuel Marty ( Samuel Marty ) Acting as Puhi
- Ginger Cattleman ( Ginger Cattleman ) Acting as Disapproving Woman
- Seanna Eagletail ( Seanna Eagletail ) Acting as Young Comanche Woman
- Samiyah Crowfoot ( Samiyah Crowfoot ) Acting as Young Comanche Girl
- Cody Big Tobacco ( Cody Big Tobacco ) Acting as Ania
- Troy Mundle ( Troy Mundle ) Acting as Spyglass
- Curtis Vinish ( Curtis Vinish ) Acting as Comanche Slinger
- Stephane Legault ( Stephane Legault ) Acting as Trapper
- Stephan Schroeder ( Stephan Schroeder ) Crew as Rambert
- Eric Beaudoin ( Eric Beaudoin ) Acting as Trapper
- Kyle Strauts ( Kyle Strauts ) Acting as Additional Predator
- Tom Woodruff Jr. ( Tom Woodruff Jr. ) Acting as Predator Puppeteer (ADI)
- Alec Gillis ( Alec Gillis ) Writing as Predator Puppeteer (ADI)
- David Penikas ( David Penikas ) Crew as Predator Puppeteer (ADI)
- Jon K. Miller ( Jon K. Miller ) Crew as Predator Puppeteer (ADI)
- Kirk Caouette ( Kirk Caouette ) Crew as Lion
- Kyle Legere ( Kyle Legere ) Acting as Bear



















Crew
- Jim Thomas ( Jim Thomas ) Writing, Job: Executive Producer From Department of Production
- Jim Thomas ( Jim Thomas ) Writing, Job: Characters From Department of Writing
- Lawrence Gordon ( Lawrence Gordon ) Production, Job: Executive Producer From Department of Production
- John Thomas ( John Thomas ) Writing, Job: Executive Producer From Department of Production
- John Thomas ( John Thomas ) Writing, Job: Characters From Department of Writing
- John Davis ( John Davis ) Production, Job: Producer From Department of Production
- Kara Lindstrom ( Kara Lindstrom ) Art, Job: Production Design From Department of Art
- Marty P. Ewing ( Marty P. Ewing ) Production, Job: Producer From Department of Production
- Marty P. Ewing ( Marty P. Ewing ) Production, Job: Unit Production Manager From Department of Production
- James Steuart ( James Steuart ) Art, Job: Art Direction From Department of Art
- Jeff Cutter ( Jeff Cutter ) Camera, Job: Director of Photography From Department of Camera
- Peter Lando ( Peter Lando ) Art, Job: Set Decoration From Department of Art
- Marc Toberoff ( Marc Toberoff ) Production, Job: Executive Producer From Department of Production
- Dan Trachtenberg ( Dan Trachtenberg ) Directing, Job: Director From Department of Directing
- Dan Trachtenberg ( Dan Trachtenberg ) Directing, Job: Story From Department of Writing
- Claudia Castello ( Claudia Castello ) Editing, Job: Editor From Department of Editing
- Rene Haynes ( Rene Haynes ) Production, Job: Casting From Department of Production
- Cody Midthunder ( Cody Midthunder ) Acting, Job: In Memory Of From Department of Crew
- Patrick Aison ( Patrick Aison ) Writing, Job: Screenplay From Department of Writing
- Patrick Aison ( Patrick Aison ) Writing, Job: Story From Department of Writing
- Jeremy Marinas ( Jeremy Marinas ) Acting, Job: Second Unit Director From Department of Directing
- Sydney Freeland ( Sydney Freeland ) Directing, Job: Thanks From Department of Crew
- Kendelle Elliott ( Kendelle Elliott ) Art, Job: Supervising Art Director From Department of Art
- Richard Cowan ( Richard Cowan ) Directing, Job: First Assistant Director From Department of Directing
- Sheila Millar ( Sheila Millar ) Art, Job: Set Designer From Department of Art
- Ryan Cook ( Ryan Cook ) Visual Effects, Job: Visual Effects Supervisor From Department of Visual Effects
- Steven McMichael ( Steven McMichael ) Crew, Job: Stunt Coordinator From Department of Crew
- Dennis Penney ( Dennis Penney ) Production, Job: Location Manager From Department of Production
- John Bailie ( John Bailie ) Camera, Job: "B" Camera Operator From Department of Camera
- Cathy Cowan ( Cathy Cowan ) Art, Job: First Assistant Art Direction From Department of Art
- Josh Medak ( Josh Medak ) Camera, Job: Grip From Department of Camera
- Jamie Stevenson ( Jamie Stevenson ) Visual Effects, Job: Visual Effects Producer From Department of Visual Effects
- Spencer Smith ( Spencer Smith ) Art, Job: Second Assistant Art Director From Department of Art
- Sarah Schachner ( Sarah Schachner ) Sound, Job: Original Music Composer From Department of Sound
- Jo-Dee Thomson ( Jo-Dee Thomson ) Costume & Make-Up, Job: Hair Department Head From Department of Costume & Make-Up
- Jo-Dee Thomson ( Jo-Dee Thomson ) Costume & Make-Up, Job: Hair Designer From Department of Costume & Make-Up
- Javier Arrieta ( Javier Arrieta ) Costume & Make-Up, Job: Costume Supervisor From Department of Costume & Make-Up
- David Bukach ( David Bukach ) Camera, Job: Still Photographer From Department of Camera
- Ben Rosenblatt ( Ben Rosenblatt ) Production, Job: Executive Producer From Department of Production
- Alexis Moar ( Alexis Moar ) Camera, Job: Camera Trainee From Department of Camera
- Alain Masse ( Alain Masse ) Camera, Job: Key Grip From Department of Camera
- Pedro Eustache ( Pedro Eustache ) Sound, Job: Musician From Department of Sound
- Robert Murdoch ( Robert Murdoch ) Production, Job: Unit Production Manager From Department of Production
- Brett Hall ( Brett Hall ) Camera, Job: Camera Trainee From Department of Camera
- Leslie Maynes ( Leslie Maynes ) Production, Job: Production Controller From Department of Crew
- Casey Chipera ( Casey Chipera ) Directing, Job: Second Assistant Director From Department of Directing
- Angela M. Catanzaro ( Angela M. Catanzaro ) Editing, Job: Editor From Department of Editing
- Jhane Myers ( Jhane Myers ) Crew, Job: Producer From Department of Production
- Sunrise Tippeconnie ( Sunrise Tippeconnie ) Lighting, Job: Thanks From Department of Crew
- Stephanie Portnoy Porter ( Stephanie Portnoy Porter ) Costume & Make-Up, Job: Costume Design From Department of Costume & Make-Up
- Eddy Santos ( Eddy Santos ) Directing, Job: Second Assistant Director From Department of Directing
- Blake Pickens ( Blake Pickens ) Production, Job: Thanks From Department of Crew
- Jason Nolan ( Jason Nolan ) Production, Job: Location Manager From Department of Production
- Bronwyn Johansen ( Bronwyn Johansen ) Directing, Job: Script Supervisor From Department of Directing
- Grayson Ogle ( Grayson Ogle ) Art, Job: Assistant Location Manager From Department of Production
- Bird Runningwater ( Bird Runningwater ) Acting, Job: Thanks From Department of Crew
- Matt Prim ( Matt Prim ) Acting, Job: Best Boy Grip From Department of Camera
- Alexander McGregor ( Alexander McGregor ) Production, Job: Location Manager From Department of Production
- Mary Kathryn Nagle ( Mary Kathryn Nagle ) Writing, Job: Associate Producer From Department of Production
- Samantha J. Rumball ( Samantha J. Rumball ) Costume & Make-Up, Job: Makeup Department Head From Department of Costume & Make-Up
- Mia Fortier ( Mia Fortier ) Costume & Make-Up, Job: Assistant Director Trainee From Department of Directing
- Kevin Larsen ( Kevin Larsen ) Camera, Job: Assistant Location Manager From Department of Production
- Jason Gavin ( Jason Gavin ) Production, Job: Thanks From Department of Crew
- Jennifer Din ( Jennifer Din ) Production, Job: Production Manager From Department of Production
- Michael Dris ( Michael Dris ) Directing, Job: Second Second Assistant Director From Department of Directing
- Michael Blatz ( Michael Blatz ) Camera, Job: Best Boy Grip From Department of Camera
- Alex Free ( Alex Free ) Lighting, Job: Best Boy Electric From Department of Lighting
- Travis Geib ( Travis Geib ) Camera, Job: Grip From Department of Camera
- Joe Hirsch ( Joe Hirsch ) Lighting, Job: Key Rigging Grip From Department of Lighting
- Celein Pauk ( Celein Pauk ) Camera, Job: Camera Trainee From Department of Camera
- Krystin Prueller ( Krystin Prueller ) Camera, Job: Camera Trainee From Department of Camera
- Lance Royal Smith ( Lance Royal Smith ) Production, Job: Location Production Assistant From Department of Production
- Elise Buedel ( Elise Buedel ) Production, Job: Casting Associate From Department of Production
- Malia Hoff ( Malia Hoff ) Production, Job: Casting Assistant From Department of Production
- Larie Stoley ( Larie Stoley ) Production, Job: Assistant Location Manager From Department of Production
- Sharon McDonell ( Sharon McDonell ) Costume & Make-Up, Job: Set Supervisor From Department of Art
- Tyson Breuer ( Tyson Breuer ) Production, Job: Associate Producer From Department of Production
- Jim Myers ( Jim Myers ) Crew, Job: In Memory Of From Department of Crew
- Steven Paul Judd ( Steven Paul Judd ) Crew, Job: Thanks From Department of Crew
- Martina Minthorn ( Martina Minthorn ) Crew, Job: Thanks From Department of Crew
- JJ Park ( JJ Park ) Crew, Job: Fight Choreographer From Department of Crew
- Liza Valentine ( Liza Valentine ) Art, Job: Set Designer From Department of Art
- Luana Ferreira ( Luana Ferreira ) Art, Job: Set Designer From Department of Art
- Daysen Christensen ( Daysen Christensen ) Camera, Job: Camera Trainee From Department of Camera
- Umesh Thamotharam ( Umesh Thamotharam ) Camera, Job: Camera Trainee From Department of Camera
- Kristy Smith ( Kristy Smith ) Costume & Make-Up, Job: Hair Department Head From Department of Costume & Make-Up
- Kristy Smith ( Kristy Smith ) Costume & Make-Up, Job: Key Hair Stylist From Department of Costume & Make-Up















Movie Review
- ( garethmb ) give rating
- MSB ( msbreviews ) give rating 8
- ( MovieGuys ) give rating 4 Sometimes it's best to let the dead rest in peace and such is the case, with the much exhumed, Predator franchise. The original has, quite deservedly,become a cult classic. What came after ranges from passable to truly awful acts of grave robbing.
- Per Gunnar Jonsson ( Dark Jedi ) give rating 5
- CinemaSerf ( Geronimo1967 ) give rating 6
- ( mooney240 ) give rating 8
- ( d54.pod ) give rating 8
- [robbie grawey] ( robbiegrawey ) give rating 8
- Peter McGinn ( narrator56 ) give rating 7
- ( Horgh ) give rating 1 Best thing about this movie was the trained pup. Movie was boring and the acting was horrible . DONT WASTE YOUR TIME ON THIS TRASH
- ( GenerationofSwine ) give rating 1

under Disney ownership since their purchase of 20th Century Fox. “Prey”
takes a look back in order to move the franchise forward and it does
this by setting in amongst the Comanche community roughly three hundred
years in the past.
The film follows a young girl named Naru (Amber Midthunder) who looks to
become a warrior but in a male-dominated setting, only her brother is
relatively supportive of her ambition and talks about when she will face
a trial which she must endure to show her worth.
At the same time, a Predator has arrived and begins to hunt the local
wildlife. Naru sees evidence of his work and tries to convince the tribe
that the carnage they are finding is not the work of a bear or a
mountain lion as the community believes.
When the nature of the threat manifests itself, Naru must find the
courage and skills to track and face the enemy who threatens to destroy
her tribe.
The film is directed by Dan Trachtenberg and he mixes a good amount of
action along with a very interesting setting and characters to create an
engaging tale.
There are some moments that the FX was not as sharp as one might expect
but the sequences with the Predator are filled with action and suspense
and should make fans of the franchise very happy. The film at times does
require some leaps of faith from the audience but in the end, “Prey” is
a satisfying film that is superior to “The Predator” and rates as one of
the stronger entries in the series and that the franchise is in good
hands for the future.
It will be interesting to see where the franchise goes next as there is lots of material for the franchise to explore, but for now, “Prey” is a refreshing take on the series and one fans should enjoy.
4 stars out of 5

"Prey lives up to high expectations, being the first movie in the Predator saga to come close to or even surpass the original.
Dan Trachtenberg is able to restore the franchise by focusing on a compelling protagonist and the motivational essence of the primary creature, as well as creating one of the most dazzling films of 2022.
Both the cinematography and the score take advantage of the on-location filmmaking to create an almost epic atmosphere, whether through gorgeous wide shots that will leave every viewer amazed or through violent, macabre, exceptionally choreographed action sequences in conjunction with long takes.
Amber Midthunder delivers one of the best performances of her career.
For fans of the saga, horror, and/or action, it's not easy to find something better this year."
Rating: A-
Prey is not awful. It has wonderful cinematic's and a superficially believable, 18th century world. A world on the cusp of modernisation and change but one that still holds on to, the fading reality embraced by its native inhabitants.
Regrettably, that's far as we get. What comes after is a revisionist construct, that does not reflect life, as it was, in this era. Instead we get feminism, at a time when its presence would have been akin, to finding an automatic wrist watch, in an Egyptian tomb.
If by some miracle you can overlook this nonsensical plot turn, it doesn't get any better. Our hero, a slim young girl, apparently has the wherewithal to take on and defeat, a savage interplanetary killer. A killer, as we can recall from the first film, who chewed through all but one member, of a hardcore team, of special forces mercenaries.
Sure, Arnie's character did use old style tactics, in the end, to defeat the beast. That said, he's a huge, profoundly physical man, cast as someone with no end of combat training and even then he barely made it out alive.
No matter, old world patriarchy defying girl, who has to run like stink from a simple bear the predator easily dispatches, magically gets the job done.
Do I need say more? If utter suspension of disbelief is your thing this just might work for you. My advice, watch or re-watch the original and suspend your disbelief that the spin offs that came after, were ever made.
4/10.

Cinematically it is not a bad movie. I liked the footage for the most part. Story wise, well, for the first half of the movie I found it rather boring actually.
There was some brief scenes with a wolf and later a bear that had some action in it but for the most part the main protagonist ran around moping and whining and trying to pretend to be worthy of being a great warrior. Somewhat unrealistic of course since Hollywood, of course, had cast a woman in the role. Not that I have anything against it per see but at the time this movie is supposed to happen a women, native Indian or not, stayed at home doing the chores whether Hollywood tries to pretend otherwise or not.
As I said, I m still okay with that but she spends most of the time fumbling, stumbling and when a threat comes around she runs and looks scared. Not the kind of great warrior charisma that I was hoping for in the main protagonist.
When it finally starts to get interesting she stumbles into a bloody animal trap and gets caught by a hunting party. The latter which of course is portrayed as the typical Hollywood stereotype of “white man bad”. Minor details like, having your foot caught in that kind of steel trap would render you useless for the rest of the movie, is of course ignored.
The later half of the movie has some action in it at least which is dragged down by the main protagonists moping and the fact that, when she finally has the chance of taking a shot, she just stares stupidly for half a minute and voila, the chance is gone.
On the good side is that the actors are doing a pretty decent job of the not so great script they were given and, as I mentioned, cinematically it is a quite good movie. The action, when it happens, is pretty good if one ignores the Hollywood stupidities and the not so kick-behind main protagonist.
Overall the movie is watchable and, as I wrote, better than previous instalments in the franchise but that is about it.


The Predator franchise has been all over the map when it comes to quality, settings, and story. With entries ranging from the incredible 1987 Predator to the awful 2018 attempt, The Predator. Thankfully, Prey shines as the best film in the Predator series since the original. This prequel takes a while to get going as it establishes character motivations and the dangers of the Great Plains. But once it gets going, it just gets better and better! Prey remains faithful to the original, blending horror and action with the elusive alien killer eliminating its prey one by one. But this time, the improved effects and primitive setting make the action more visceral and scary. I could go on and on about how brilliantly the time period raised the stakes, how excellent Amber Midthunder’s heroine was, or how fantastic Dan Trachtenberg’s directing was. Prey returns the Predator franchise to its best form by avoiding the cheese and focusing on the horror of the hunt.

I came into this movie with some apprehension due to how much I enjoyed the original Predator movie from 1987. My biggest concern was would they ruin the legacy left by the original movie, mostly due to the fact that this is a prequel, unlike the other's in the franchise. However, I was pleasantly surprised.
There is so much to like about this movie, from its beautiful scenery, the highly entertaining action sequences, the stellar acting (led by Amber Midthunder) and how it actually paid homage to the original. The story, much like the original was simple and got straight to the point, and it didn't overcomplicate anything with lengthy or unnecessary dialogue. It also didn't do overboard with the easter eggs and references. I really cant excuse movies which make you pause to show off references to previous instalments of the franchise, even at times when they dont make sense. This movie did none of that which was refreshing.
I highly recommend this movie. If the younger generation was to watch movie first and follow up with the original from 1987, it would not be a disservice at all. Looking forward to the sequel to this and seeing how they tie in more of the predator lore.

Sad I didn't get to see it in a theater :(

So it was fine, though it won’t motivate me to seek out more movies in the predator franchise or indeed the genre. I will quit while I am ahead, at least until the next one in an unliked genre inexplicably draws me in.

And then she goes out and puts everyone at risk to prove that she is the bestest hunter ever... and she is, effortlessly, because she is a Strong Female Lead.
And then Strong Female Lead encounters the Predator, and does something that was actually cool and pretty unique for the series. But then the Predator has to go kill off the rest of the hunters in her tribe for not recognizing that she is the bestest hunter ever.
Only this is a politically correct movie, you can tell by Strong Female Lead, so the Predator can't be the bad guy, there has to be more of a political message.
And because of that the plot adds in white people, who are the real evil, the evilist of the evil. The bestest of being evil. And they have to show that even when an alien is out there hunting people, white people are worse.
And Strong Female Lead has to prove that she can be even better than them too without trying, and then proves it without expending any real effort.
And out of the blue one of her hunting party (who are now not as evil because there are white men who are eviler) is allowed to do something actually sort of heroic because he doesn't have to be bad at everything now because they white people can be.
And them 'Member Berries.
And at the end Strong Female Lead proves to everyone that she is the bestest at everything, without needing to try, by virtue of just being the bestest of the bestest at everything without even needing to know what she's doing.
yeah... you get the point, you've seen a thousand other movies just like this one since 2016.