Return to Pandora.
Set more than a decade after the events of the first film, learn the story of the Sully family (Jake, Neytiri, and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.
Adult Status :
Movie ID : 76600
Movie Language : en
Original Title: Avatar: The Way of Water
Popularity : 1290.489
Release : 2022-12-14
Movie Title : Avatar: The Way of Water
Rate : 7.7
Vote Count : 5792
Genre IDs : 878,12,28
Genres : Science Fiction, Adventure, Action
Tagline : Return to Pandora.
Revenue : 2293000000
Runtime : 192
Status : Released
Movie Collection
Collection ID : 87096
Collection Name : Avatar Collection
Movie Production Studio
Company Name : 20th Century Studios
Budget : 460000000
HomePage : https://www.avatar.com/movies/avatar-the-way-of-water
IMDB ID : tt1630029
Country Code : US
Country Name :
Spoken Language : English
Company ID : 127928
Company Logo : [COMPANYLOGO]
Company Country : US
Video
Casts and Crews
Cast
- Sam Worthington ( Sam Worthington ) Acting as Jake Sully
- Zoe Saldaña ( Zoe Saldaña ) Acting as Neytiri
- Sigourney Weaver ( Sigourney Weaver ) Acting as Kiri / Dr. Grace Augustine
- Britain Dalton ( Britain Dalton ) Acting as Lo'ak
- Stephen Lang ( Stephen Lang ) Acting as Colonel Miles Quaritch
- Jack Champion ( Jack Champion ) Acting as Miles 'Spider' Socorro
- Cliff Curtis ( Cliff Curtis ) Acting as Tonowari
- Kate Winslet ( Kate Winslet ) Acting as Ronal
- Joel David Moore ( Joel David Moore ) Acting as Norm Spellman
- CCH Pounder ( CCH Pounder ) Acting as Mo'at
- Edie Falco ( Edie Falco ) Acting as General Frances Ardmore
- Brendan Cowell ( Brendan Cowell ) Acting as Mick Scoresby
- Jemaine Clement ( Jemaine Clement ) Acting as Dr. Ian Garvin
- Jamie Flatters ( Jamie Flatters ) Acting as Neteyam
- Trinity Bliss ( Trinity Bliss ) Acting as Tuk
- Bailey Bass ( Bailey Bass ) Acting as Tsireya
- Filip Geljo ( Filip Geljo ) Acting as Aonung
- Duane Evans Jr. ( Duane Evans Jr. ) Acting as Rotxo
- Giovanni Ribisi ( Giovanni Ribisi ) Acting as Parker Selfridge
- Dileep Rao ( Dileep Rao ) Acting as Dr. Max Patel
- Matt Gerald ( Matt Gerald ) Acting as Recom Wainfleet
- Robert Okumu ( Robert Okumu ) Acting as Ta'unui Olecthan
- Jennifer Stafford ( Jennifer Stafford ) Acting as Ta'unui Tsahik
- Keston John ( Keston John ) Acting as Tarsem
- Kevin Dorman ( Kevin Dorman ) Acting as Recom Mansk
- Alicia Vela-Bailey ( Alicia Vela-Bailey ) Acting as Recom Zdinarsik
- Sean Anthony Moran ( Sean Anthony Moran ) Acting as Recom Fike
- Andrew Arrabito ( Andrew Arrabito ) Acting as Recom Prager
- Johnny Alexander ( Johnny Alexander ) Acting as Recom Ja
- Kim Do ( Kim Do ) Acting as Recom Zhang
- Victor T. Lopez ( Victor T. Lopez ) Acting as Recom Lopez
- Maria Walker ( Maria Walker ) Acting as Recom Walker
- Phil Brown ( Phil Brown ) Acting as Stringer
- Jocelyn Christian ( Jocelyn Christian ) Acting as Bio Lab Tech
- Joel Tobeck ( Joel Tobeck ) Acting as Neuroscientist
- Moana Ete ( Moana Ete ) Acting as Female Med-Tech
- Phil Peleton ( Phil Peleton ) Acting as Male Med-Tech
- Jamie Landau ( Jamie Landau ) Production as Metkayina Warrior
- Jim Moore ( Jim Moore ) Acting as Mako Sub #1 Pilot
- Benjamin Hoetjes ( Benjamin Hoetjes ) Acting as Mako Sub #1 Gunner
- Nikita Tu Bryant ( Nikita Tu Bryant ) Acting as Mako Sub #2 Pilot
- Anthony Ahern ( Anthony Ahern ) Acting as Mako Sub #2 Gunner
- Shane Rangi ( Shane Rangi ) Acting as Matador Co-Pilot
- Rick Lucas ( Rick Lucas ) Acting as Kestrel Pilot
- Tanya Drewery ( Tanya Drewery ) Acting as Neurotech #1
- Ava Diakhaby ( Ava Diakhaby ) Acting as Neurotech #2
- Isaac Te Reina ( Isaac Te Reina ) Acting as Sea Dragon First Mate
- Eric Farmer ( Eric Farmer ) Acting as Crabsuit Pilot
- Philip Mtambo ( Philip Mtambo ) Acting as Skel Trooper
- Daniel Lough ( Daniel Lough ) Acting as Spider Double
- Cruz Moir ( Cruz Moir ) Acting as Young Spider
- Alex Lucas ( Alex Lucas ) Acting as Toddler Spider
- Scarlett Fernandez ( Scarlett Fernandez ) Acting as Young Kiri
- Chloe Coleman ( Chloe Coleman ) Acting as Young Lo'ak
- Jeremy Irwin ( Jeremy Irwin ) Acting as Young Neteyam
- Jake McLean ( Jake McLean ) Acting as Na'vi (uncredited)
- CJ Jones ( CJ Jones ) Acting as Metkayina Interpreter (uncredited)












































Crew
- Stephen E. Rivkin ( Stephen E. Rivkin ) Editing, Job: Editor From Department of Editing
- David Valdes ( David Valdes ) Production, Job: Executive Producer From Department of Production
- David Valdes ( David Valdes ) Production, Job: Unit Production Manager From Department of Production
- Josh Friedman ( Josh Friedman ) Writing, Job: Story From Department of Writing
- Christopher Boyes ( Christopher Boyes ) Sound, Job: Sound Designer From Department of Sound
- Christopher Boyes ( Christopher Boyes ) Sound, Job: Supervising Sound Editor From Department of Sound
- Christopher Boyes ( Christopher Boyes ) Sound, Job: Sound Re-Recording Mixer From Department of Sound
- James Horner ( James Horner ) Sound, Job: Main Title Theme Composer From Department of Sound
- James Cameron ( James Cameron ) Directing, Job: Screenplay From Department of Writing
- James Cameron ( James Cameron ) Directing, Job: Director From Department of Directing
- James Cameron ( James Cameron ) Directing, Job: Editor From Department of Editing
- James Cameron ( James Cameron ) Directing, Job: Producer From Department of Production
- James Cameron ( James Cameron ) Directing, Job: Characters From Department of Writing
- James Cameron ( James Cameron ) Directing, Job: Story From Department of Writing
- David Brenner ( David Brenner ) Editing, Job: Editor From Department of Editing
- Shane Salerno ( Shane Salerno ) Writing, Job: Story From Department of Writing
- Margery Simkin ( Margery Simkin ) Production, Job: Casting From Department of Production
- Russell Carpenter ( Russell Carpenter ) Camera, Job: Director of Photography From Department of Camera
- Deborah Lynn Scott ( Deborah Lynn Scott ) Costume & Make-Up, Job: Costume Design From Department of Costume & Make-Up
- Jon Landau ( Jon Landau ) Production, Job: Producer From Department of Production
- Kim Sinclair ( Kim Sinclair ) Art, Job: Supervising Art Director From Department of Art
- Richard Bluck ( Richard Bluck ) Camera, Job: Second Unit Director of Photography From Department of Camera
- Richard Bluck ( Richard Bluck ) Camera, Job: Additional Director of Photography From Department of Camera
- Simon Bright ( Simon Bright ) Art, Job: Art Direction From Department of Art
- Daren Hicks ( Daren Hicks ) Production, Job: Production Supervisor From Department of Production
- John Refoua ( John Refoua ) Editing, Job: Editor From Department of Editing
- Ken Turner ( Ken Turner ) Art, Job: Art Direction From Department of Art
- Rick Jaffa ( Rick Jaffa ) Writing, Job: Screenplay From Department of Writing
- Rick Jaffa ( Rick Jaffa ) Writing, Job: Story From Department of Writing
- Amanda Silver ( Amanda Silver ) Writing, Job: Screenplay From Department of Writing
- Amanda Silver ( Amanda Silver ) Writing, Job: Story From Department of Writing
- Luke Freeborn ( Luke Freeborn ) Art, Job: Supervising Art Director From Department of Art
- Lauren Mary Kim ( Lauren Mary Kim ) Crew, Job: Stunts From Department of Crew
- Andy McLaren ( Andy McLaren ) Art, Job: Art Direction From Department of Art
- Brad Martin ( Brad Martin ) Crew, Job: Stunts From Department of Crew
- Kevin Loo ( Kevin Loo ) Art, Job: Set Designer From Department of Art
- Garrett Warren ( Garrett Warren ) Crew, Job: Stunt Coordinator From Department of Crew
- Garrett Warren ( Garrett Warren ) Crew, Job: Second Unit Director From Department of Directing
- Dylan Cole ( Dylan Cole ) Art, Job: Production Design From Department of Art
- Richard Baneham ( Richard Baneham ) Visual Effects, Job: Executive Producer From Department of Production
- Richard Baneham ( Richard Baneham ) Visual Effects, Job: Second Unit Director From Department of Directing
- Evan Webber ( Evan Webber ) Art, Job: Set Designer From Department of Art
- Anne Costa ( Anne Costa ) Art, Job: Assistant Art Director From Department of Art
- Stephen Christensen ( Stephen Christensen ) Art, Job: Art Direction From Department of Art
- Jon Glover ( Jon Glover ) Acting, Job: Researcher From Department of Production
- Ben Procter ( Ben Procter ) Art, Job: Production Design From Department of Art
- Frankie Karena ( Frankie Karena ) Costume & Make-Up, Job: Hair Supervisor From Department of Costume & Make-Up
- Stacey Pianko ( Stacey Pianko ) Production, Job: Casting Associate From Department of Production
- Robert Bavin ( Robert Bavin ) Art, Job: Art Direction From Department of Art
- Brian Adler ( Brian Adler ) Visual Effects, Job: Visual Effects From Department of Visual Effects
- Ross Perkin ( Ross Perkin ) Art, Job: Set Designer From Department of Art
- Denny Caira ( Denny Caira ) Crew, Job: Transportation Coordinator From Department of Crew
- Gwendolyn Yates Whittle ( Gwendolyn Yates Whittle ) Sound, Job: Supervising Sound Editor From Department of Sound
- David Chrastka ( David Chrastka ) Sound, Job: Sound Effects Editor From Department of Sound
- Lena Scanlan ( Lena Scanlan ) Visual Effects, Job: Visual Effects Producer From Department of Visual Effects
- Brigitte Yorke ( Brigitte Yorke ) Production, Job: Associate Producer From Department of Production
- Eric Saindon ( Eric Saindon ) Visual Effects, Job: Visual Effects Supervisor From Department of Visual Effects
- Stuart Thorp ( Stuart Thorp ) Acting, Job: Stunt Coordinator From Department of Crew
- Emily Egge ( Emily Egge ) Costume & Make-Up, Job: Costume Supervisor From Department of Costume & Make-Up
- Shari Ratliff ( Shari Ratliff ) Art, Job: Set Designer From Department of Art
- Joe Letteri ( Joe Letteri ) Visual Effects, Job: Visual Effects Supervisor From Department of Visual Effects
- Carrie Bauer ( Carrie Bauer ) Costume & Make-Up, Job: Costume Supervisor From Department of Costume & Make-Up
- Gia Jimenez ( Gia Jimenez ) Costume & Make-Up, Job: Set Costumer From Department of Costume & Make-Up
- Gary Summers ( Gary Summers ) Sound, Job: Sound Re-Recording Mixer From Department of Sound
- Sam Storey ( Sam Storey ) Art, Job: Art Direction From Department of Art
- Jeffrey Beck ( Jeffrey Beck ) Art, Job: Set Designer From Department of Art
- Andrew Arrabito ( Andrew Arrabito ) Acting, Job: Military Consultant From Department of Crew
- Walter Garcia ( Walter Garcia ) Visual Effects, Job: Visual Effects Producer From Department of Visual Effects
- Steve Gallagher ( Steve Gallagher ) Sound, Job: Music Editor From Department of Sound
- Tyra Youland ( Tyra Youland ) Costume & Make-Up, Job: Ager/Dyer From Department of Costume & Make-Up
- Franca Gallo ( Franca Gallo ) Crew, Job: Makeup Artist From Department of Costume & Make-Up
- Kenny Sheard ( Kenny Sheard ) Acting, Job: Stunts From Department of Crew
- Daniel Barrett ( Daniel Barrett ) Visual Effects, Job: Animation Supervisor From Department of Visual Effects
- Andrew Chan ( Andrew Chan ) Art, Job: Art Direction From Department of Art
- Amber Richards ( Amber Richards ) Art, Job: Set Dresser From Department of Art
- The Weeknd ( The Weeknd ) Acting, Job: Songs From Department of Sound
- Nat Van Halle ( Nat Van Halle ) Costume & Make-Up, Job: Set Costumer From Department of Costume & Make-Up
- Ed Symon ( Ed Symon ) Art, Job: Set Designer From Department of Art
- Chris Silcox ( Chris Silcox ) Acting, Job: Stunts From Department of Crew
- Heidi Moneymaker ( Heidi Moneymaker ) Acting, Job: Stunts From Department of Crew
- Michele Perry ( Michele Perry ) Costume & Make-Up, Job: Makeup Artist From Department of Costume & Make-Up
- Steven Light-Orr ( Steven Light-Orr ) Art, Job: Art Direction From Department of Art
- CJ Jones ( CJ Jones ) Acting, Job: Other From Department of Crew
- Simon Franglen ( Simon Franglen ) Sound, Job: Original Music Composer From Department of Sound
- Brian Barela ( Brian Barela ) Costume & Make-Up, Job: Set Costumer From Department of Costume & Make-Up
- Aashrita Kamath ( Aashrita Kamath ) Art, Job: Supervising Art Director From Department of Art
- Kevin A. Canamar ( Kevin A. Canamar ) Crew, Job: Set Medic From Department of Crew
- Jack Taggart ( Jack Taggart ) Costume & Make-Up, Job: Ager/Dyer From Department of Costume & Make-Up
- Vinnie Ashton ( Vinnie Ashton ) Costume & Make-Up, Job: Key Hair Stylist From Department of Costume & Make-Up
- Cody Dysart ( Cody Dysart ) Costume & Make-Up, Job: Makeup Artist From Department of Costume & Make-Up
- Shay Lawrence ( Shay Lawrence ) Costume & Make-Up, Job: Key Makeup Artist From Department of Costume & Make-Up
- Andrew Kattie ( Andrew Kattie ) Art, Job: Set Designer From Department of Art
- Alasdair Mott ( Alasdair Mott ) Art, Job: Set Designer From Department of Art
- Michael Krehl ( Michael Krehl ) Costume & Make-Up, Job: Tattoo Designer From Department of Costume & Make-Up
- Alister Baxter ( Alister Baxter ) Art, Job: Art Direction From Department of Art
- Brendon Sweeney ( Brendon Sweeney ) Art, Job: Set Designer From Department of Art
- Colette Mullin ( Colette Mullin ) Art, Job: Set Designer From Department of Art
- Travis Brady ( Travis Brady ) Camera, Job: Grip From Department of Camera
- Salim Bensrhir ( Salim Bensrhir ) Lighting, Job: Gaffer From Department of Lighting
- Rudie Schaefer ( Rudie Schaefer ) Art, Job: Art Direction From Department of Art
- Simeon Jones ( Simeon Jones ) Directing, Job: Second Assistant Director From Department of Directing
- Ben Milsom ( Ben Milsom ) Art, Job: Art Direction From Department of Art
- Daniel McGraw ( Daniel McGraw ) Costume & Make-Up, Job: Visual Effects From Department of Visual Effects
- Ben Whale ( Ben Whale ) Art, Job: Set Dresser From Department of Art
- Yvonne Yip ( Yvonne Yip ) Art, Job: Set Designer From Department of Art
- Sarah Delucchi ( Sarah Delucchi ) Art, Job: Art Direction From Department of Art
- Sarah Delucchi ( Sarah Delucchi ) Art, Job: Assistant Art Director From Department of Art
- Maria Battle Campbell ( Maria Battle Campbell ) Directing, Job: Associate Producer From Department of Production
- Maria Battle Campbell ( Maria Battle Campbell ) Directing, Job: First Assistant Director From Department of Directing
- Rewa Lewis ( Rewa Lewis ) Costume & Make-Up, Job: Set Costumer From Department of Costume & Make-Up
- Amy Wright ( Amy Wright ) Costume & Make-Up, Job: Set Costumer From Department of Costume & Make-Up
- Marina Stojanovic ( Marina Stojanovic ) Costume & Make-Up, Job: Set Designer From Department of Art
- Vanessa Cole ( Vanessa Cole ) Art, Job: Set Decoration From Department of Art
- Don Brooker ( Don Brooker ) Crew, Job: Prosthetics From Department of Costume & Make-Up
- John Ternent ( John Ternent ) Art, Job: Set Dresser From Department of Art
- Catharine Stuart ( Catharine Stuart ) Costume & Make-Up, Job: Set Costumer From Department of Costume & Make-Up
- Virginia Berg ( Virginia Berg ) Art, Job: Assistant Art Director From Department of Art
- Joe Howes ( Joe Howes ) Visual Effects, Job: Visual Effects From Department of Visual Effects
- Rebecca Asquith ( Rebecca Asquith ) Art, Job: Set Designer From Department of Art
- Katie Fox-Heywood ( Katie Fox-Heywood ) Costume & Make-Up, Job: Makeup Artist From Department of Costume & Make-Up
- Daniel Koene ( Daniel Koene ) Art, Job: Set Designer From Department of Art
- Carly Marr ( Carly Marr ) Costume & Make-Up, Job: Makeup Artist From Department of Costume & Make-Up







































Movie Review
- ( mooney240 ) give rating 6
- MSB ( msbreviews ) give rating 7
- ( tmdb45226627 ) give rating 8 An exciting return to Pandora: the world of Na'vi. One of the best movies, like 2009's Avatar, to see in 3D! The characters seem to come out of the screen and it seems to witness the events firsthand. The world of Na'vi has changed and is once again in danger. Man is the cause of evil as in reality. We are destroying our planet that used to be our Pandora. Pandora is our home, we are Pandora. The houses of the Na'vi look like the tents of the American Indians, for me this is no coincidence and recalls the genocide of the American Indians. In my opinion it is a good sequel that deals with very relevant themes such as love, family and mourning. The initial water monologue which then returns towards the end is very poetic and universal! Emotional film that in some parts makes you cry. I recommend viewing in 3D for those who have already seen the previous film and were fascinated by that amazing world and the protagonist's love and life story.
- TimeZone ( gaitanoayieko@gmail.com ) give rating 10
- Chris Sawin ( ChrisSawin ) give rating 4
- Chris Sawin ( ChrisSawin ) give rating 4
- Chris Sawin ( ChrisSawin ) give rating 4
- ( strayndger ) give rating 8
- CinemaSerf ( Geronimo1967 ) give rating 7
- Dragi Postolovski ( dragipostolovski ) give rating
- Nathan ( TitanGusang ) give rating
- Kay Cee ( kaycee2000 ) give rating
- ( Appfel ) give rating 10
- ( Crazypiglady ) give rating 6

It’s a James Cameron film, so it’s impressive. The special effects, camerawork, world-building, and action were all off the charts. But Avatar: The Way of Water struggles like its predecessor in the story and character development departments. In fact, the story of The Way of Water is almost identical to the first Avatar. Instead of humans learning to be Na’vi and then fighting Stephen slang, a family of forest Na’vi learns to be ocean Na’vi and then fight Stephen Lang. But the new movie also focuses on a group of annoying teens that constantly get themselves in trouble and peril over and over again throughout the much too long 3+ hour runtime and sidelining better, more established characters. All the strengths and weaknesses of the first movie are back in this one, with the bonus of being compared to the original at every turn. It really is a visual feast and special effects masterpiece, but just like the first Avatar, that’s all it is.

"Avatar: The Way of Water clearly sets itself apart from other blockbusters, building on 13 years of preparation to deliver a memorable CINEMA experience by the one and only James Cameron.
A visually, technically breathtaking adventure, particularly in the truly stunning underwater sequences. Score (Simon Franglen) remains epic, and the genuine dynamics between the characters of the Sully family lead the viewer to strongly, emotionally invest in them - the performances of the cast, namely Zoe Saldaña, are vital for the film's success.
Too bad the recycled, generic narrative doesn't keep up with the creativity, dedication, and innovation levels allocated to the technical elements. Underwhelming to the point of making the three-hour runtime feel heavier than it should, but for fans of the original - which remains supreme - it's far from ruining one of the year's must-see theater experiences."
Rating: B+

Why? I rate any movie based on a few things. Warning! Potential Spoilers.
1. Story. Is the story compelling, does it stick in your mind after the movie, haunting you like a ghost, forcing you to think about it and even your own life? Does it have any positive messages aka moral of the story.
The story of The Way of Water is indeed compelling. The Conflict is multifaceted. Family conflict, Human-Na'vi conflict, Tribal Conflict and most importantly, personal conflict, aka identity conflict. The identity conflict is mostly fuelled by outcast feeling. There are a lot of people including Jake who at some point feel like they don't belong. I believe most people feel this way at some point in life, you don’t need to be in the protected minority groups for you to feel like an outcast. And while we may not be accepted for who we are, defining who are begins with ourselves first. Our world is full of people who want to be identified in one way or another. But have they identified themselves first? Just remember, most people feel discriminated for one reason or another in life. Religion, gender, skin colour, country, body size or smartness in school, political affiliation. Nobody gets love all round all times. Know who you are and don’t fuss to much about it. Learn a losson from Spider (Miles Socorro).
2. Characters. Are there likeable characters you can get attached to? Characters you remember later, characters that inspire. Characters that grow.
Spidey is a new character, and he has a great story to tell. Jake has changed a lot too and for good reason. People undergo a lot of transformation in life. You can’t be what Don Williams calls a Rake and Ramblin’ Man your entire life. I read an article review complaining how Jake tucked his tail and ran. That review completely missed the point. Jakes decision may not have been the right one, but put in his situation, it is a decision that a lot of people would make.
3. Acting. Is the acting good? Is it realistic enough to be believable to a point you forget the people are just acting? I was more than impressed by Neytiri’s “gone nuts” scene. I felt her pain, and in that instance, I was nuts too. I honestly forgot this was just a movie. Actors can make you cry, and that is just how it should be. You forget that it is just an act, no need to cry. I also read an article that complained about the dialogue of the teenagers. I don’t know what the reviewer expected. Philosophy from teens? Their conversation is believable enough for their age.
4. Everything tied together. A good story told by good and believable characters needs a setup. Something to tie them together into a bundle. Avatar ties everything together with wonderful visuals. I don’t need to say more.

Full review: https://boundingintocomics.com/2022/12/19/avatar-the-way-of-water-review-mo-navi-mo-problems/

Full review: https://boundingintocomics.com/2022/12/19/avatar-the-way-of-water-review-mo-navi-mo-problems/

Full review: https://boundingintocomics.com/2022/12/19/avatar-the-way-of-water-review-mo-navi-mo-problems/




While the previous entry had its fair share of story-related problems, the sequel corrects most of my issues and delivers a heartfelt family story. The main improvement from the first entry is character development. I had a genuine emotional connection with the Sully family and was invested in their safety. These feelings created some genuine tension when any of the family members were in danger, I felt my body tense up as I waited to see what the conflict's conclusion would be, which is a gigantic improvement from the first film where I could not care less who died or survived.
The return of Stephan Lang as Colonel Miles Quaritch brought the overly campy villain back to the screen in a bad way. Quaritch is a caricature of a "villain" where his actions and attitude are evil for the sake of being the bad guy. His anger toward Jake Sully does seem a little bit more believable hear as his previous self was murdered by him, but the over-the-top theatrics are just too much for me.
Another aspect of the story that did not feel right to me was the children constantly disobeying their parents for the sake of plot progression. Countless times, Jake Sully's kids would do the opposite of what they were told, leaving them in a vulnerable state to be captured. This danger forced Jake Sully to constantly expose himself and help draw the threat ever closer to his family. The moments that result are great as we get to see the dichotomy between Jake being a father and his militaristic background. This is at the heart of the story and worked for me.
I was surprised to see how well-paced the film was despite its over three-hour runtime. There are some pretty slow parts, specifically the second act, but the visuals and the character journeys that happen during these parts are so interesting that they didn't impact me negatively; I was just happy to see new and beautiful aspects of Pandora.
The performances were fantastic throughout. It is a testament to both the actors/actresses and also the technology that can display such complex emotions and visual nuances on entirely CGI creatures. Sigourney Weaver was a highlight with Kiri, who was at the forefront of the entire film. To be completely honest, I did not even know she was played by Weaver; the mix between her performance and voice modulation created a compelling 14-year-old girl that was a huge part of the story. Sam Worthington was incredible and Zoe Saldana was perfect. Saldana does so much acting with her facial expressions as Ney'tirl, which is on display during many emotional scenes her character goes through. She was a bit sidelined during this film, but when she was on screen, she was impactful.
Avatar has some incredibly heavy themes at play. One of the strongest and most relevant messages was anti-poaching. I mention this because there was such a hard scene in this movie that had me on the verge of tears. It was something I'd never seen in the film; it was both beautiful in the brutality it displayed and the emotional response of the Na'vi.
Overall, this movie is deserving of the hype and needs to be seen on the biggest screen available. James Cameron delivered on the 13 years build-up to the sequel and has gotten me excited for the three sequels planned for the next decade.
Score: 88%
Verdict: Excellent


