RRR
Rise, Roar, Revolt.
A fictional history of two legendary revolutionaries' journey away from home before they began fighting for their country in the 1920s.
Adult Status :
Movie ID : 579974
Movie Language : te
Original Title: à°°ౌà°¦్à°°ం à°°à°£ం à°°ుà°§ిà°°ం
Popularity : 279.922
Release : 2022-03-24
Movie Title : RRR
Rate : 7.8
Vote Count : 824
Genre IDs : 28,18
Genres : Action, Drama
Tagline : Rise, Roar, Revolt.
Revenue : 160000000
Runtime : 182
Status : Released
Movie Collection
Collection ID :
Collection Name :
Movie Production Studio
Company Name : DVV Entertainment
Budget : 69000000
HomePage :
IMDB ID : tt8178634
Country Code : IN
Country Name :
Spoken Language : English
Company ID : 68594
Company Logo : [COMPANYLOGO]
Company Country : IN
Video
Casts and Crews
Cast
- N. T. Rama Rao Jr. ( N. T. Rama Rao Jr. ) Acting as Komaram Bheem
- Ram Charan ( Ram Charan ) Acting as Alluri Sitarama Raju
- Olivia Morris ( Olivia Morris ) Acting as Jennifer 'Jenny' Buxton
- Ray Stevenson ( Ray Stevenson ) Acting as Scott Buxton
- Alison Doody ( Alison Doody ) Acting as Cassandra Buxton
- Alia Bhatt ( Alia Bhatt ) Acting as Sita
- Ajay Devgn ( Ajay Devgn ) Acting as Venkata Rama Raju
- Shriya Saran ( Shriya Saran ) Acting as Sarojini
- Edward Sonnenblick ( Edward Sonnenblick ) Acting as Edwards
- Makrand Deshpande ( Makrand Deshpande ) Acting as Peddanna
- Samuthirakani ( Samuthirakani ) Acting as Venkateshwarulu
- Chatrapathi Sekhar ( Chatrapathi Sekhar ) Acting as Jangu
- Rajiv Kanakala ( Rajiv Kanakala ) Acting as Venkat Avdhani
- Rahul Ramakrishna ( Rahul Ramakrishna ) Acting as Lacchu
- Ahmareen Anjum ( Ahmareen Anjum ) Acting as Loki
- Twinkle Sharma ( Twinkle Sharma ) Acting as Malli
- Varun Buddhadev ( Varun Buddhadev ) Acting as Young Alluri Sitarama Raju
- Spandan Chaturvedi ( Spandan Chaturvedi ) Acting as Young Sita
- R. Bhakti Klein ( R. Bhakti Klein ) Acting as DSP Philip Green
- Mark Bennington ( Mark Bennington ) Acting as Cunningham
- Gaurav Pareek ( Gaurav Pareek ) Acting as Guri
- Alexx O'Nell ( Alexx O'Nell ) Acting as British officer
- S. S. Rajamouli ( S. S. Rajamouli ) Directing as Self
- Kirron Arya ( Kirron Arya ) Acting as Bheem's Mother
- Akash Boro ( Akash Boro ) Acting as Rama
- Eduard Buhac ( Eduard Buhac ) Acting as Jake
- Narendra Singh Dhami ( Narendra Singh Dhami ) Acting as Chinna
- Oleg Karpenko ( Oleg Karpenko ) Acting as Officer Harry
- Ivan Kostadinov ( Ivan Kostadinov ) Acting as British Army Soldier
- Jason Yeboa ( Jason Yeboa ) Acting as Drummer





















Crew
- Sreekar Prasad ( Sreekar Prasad ) Editing, Job: Editor From Department of Editing
- S. S. Rajamouli ( S. S. Rajamouli ) Directing, Job: Screenplay From Department of Writing
- S. S. Rajamouli ( S. S. Rajamouli ) Directing, Job: Director From Department of Directing
- Vijayendra Prasad ( Vijayendra Prasad ) Writing, Job: Story From Department of Writing
- M.M. Keeravaani ( M.M. Keeravaani ) Sound, Job: Original Music Composer From Department of Sound
- M.M. Keeravaani ( M.M. Keeravaani ) Sound, Job: Playback Singer From Department of Sound
- M.M. Keeravaani ( M.M. Keeravaani ) Sound, Job: Lyricist From Department of Writing
- K.K. Senthil Kumar ( K.K. Senthil Kumar ) Camera, Job: Director of Photography From Department of Camera
- DVV Danayya ( DVV Danayya ) Production, Job: Producer From Department of Production
- Sabu Cyril ( Sabu Cyril ) Art, Job: Production Design From Department of Art
- Vijay Prakash ( Vijay Prakash ) Sound, Job: Playback Singer From Department of Sound
- Denitza Daverova ( Denitza Daverova ) Production, Job: Production Manager From Department of Production
- Nikolai Kirilov ( Nikolai Kirilov ) Costume & Make-Up, Job: Art Direction From Department of Art
- Suddala Ashok Teja ( Suddala Ashok Teja ) Writing, Job: Lyricist From Department of Writing
- Peter Krumov ( Peter Krumov ) Crew, Job: Set Dresser From Department of Art
- Sai Madhav Burra ( Sai Madhav Burra ) Writing, Job: Dialogue From Department of Writing
- V. Srinivas Mohan ( V. Srinivas Mohan ) Visual Effects, Job: VFX Supervisor From Department of Visual Effects
- Rama Rajamouli ( Rama Rajamouli ) Costume & Make-Up, Job: Costume Design From Department of Costume & Make-Up
- Prem Rakshith ( Prem Rakshith ) Crew, Job: Choreographer From Department of Crew
- Vamsi Kaka ( Vamsi Kaka ) Crew, Job: Public Relations From Department of Crew
- Ramajogayya Sastry ( Ramajogayya Sastry ) Writing, Job: Lyricist From Department of Writing
- Sirivennela Seetharama Sastry ( Sirivennela Seetharama Sastry ) Writing, Job: Lyricist From Department of Writing
- Rahul Karpe ( Rahul Karpe ) Sound, Job: Sound Re-Recording Mixer From Department of Sound
- Charu Hariharan ( Charu Hariharan ) Writing, Job: Playback Singer From Department of Sound
- Vishal Mishra ( Vishal Mishra ) Sound, Job: Playback Singer From Department of Sound
- Vedala Hemachandra ( Vedala Hemachandra ) Sound, Job: Playback Singer From Department of Sound
- Kaala Bhairava ( Kaala Bhairava ) Sound, Job: Playback Singer From Department of Sound
- Rahul Sipligunj ( Rahul Sipligunj ) Sound, Job: Playback Singer From Department of Sound
- Srinu Nalla ( Srinu Nalla ) Costume & Make-Up, Job: Makeup Artist From Department of Costume & Make-Up
- Chandrabose ( Chandrabose ) Writing, Job: Lyricist From Department of Writing
- Priyanka Shivhare ( Priyanka Shivhare ) Art, Job: Assistant Art Director From Department of Art
- Ravi Ahuja ( Ravi Ahuja ) Production, Job: Casting Director From Department of Production
- Sahithi Galidevara ( Sahithi Galidevara ) Sound, Job: Playback Singer From Department of Sound
- Harika Narayan ( Harika Narayan ) Sound, Job: Playback Singer From Department of Sound
- Chandana Bala Kalyan ( Chandana Bala Kalyan ) Sound, Job: Playback Singer From Department of Sound
- Raghunath Kemisetty ( Raghunath Kemisetty ) Sound, Job: Sound Designer From Department of Sound
- Mahesh Ganguly S ( Mahesh Ganguly S ) Visual Effects, Job: Animation Supervisor From Department of Visual Effects
- Prudhvi Chandra ( Prudhvi Chandra ) Sound, Job: Playback Singer From Department of Sound
- Senapathi Naidu ( Senapathi Naidu ) Costume & Make-Up, Job: Makeup Artist From Department of Costume & Make-Up
- Ashwin Rajashekar ( Ashwin Rajashekar ) Sound, Job: Sound Recordist From Department of Sound
- K. Shiva Dutta ( K. Shiva Dutta ) Writing, Job: Lyricist From Department of Writing
- Prakruthi Reddy ( Prakruthi Reddy ) Sound, Job: Playback Singer From Department of Sound
- Anil Jadhav ( Anil Jadhav ) Art, Job: Art Direction From Department of Art













Movie Review
- ( Horseface ) give rating 1
- ( kamaravichow ) give rating 10
- ( alcorpuz1964 ) give rating My first exposure to Telugu Cinema, is when I saw my wife watching a near naked guy running in the forest, chased by a Tiger, looking so shredded that I thought my wife was appreciating the sweaty, bulbous body of a forest guy. I dismissed it immediately as another macho movie after-all, which is not my wife's favorite (its Korean movies). Until I saw a raving review of the Netflix viewer in Youtube who aren't Indians but Americans and Europeans. Now that caused me curiosity. So I decided to watch it, and then watched it again. First I can't believe the quality of CGI in most cases and the great acting of the very charismatic actors NTR and Ram Charan. With Ajay Degn and Alia Bhatt making the movie an experience of a lifetime. The movie is brimming with action, drama and great fun that I wished I watched it in bigscreen. I even eatched its Telugu version. Although the Brit-actors aren't too convincing, the entire movie is bursting with energy and drama and with it a series of suspending your belief that a movie this good can feel so short even if its 3 hours. The movie led me on a journey of watching old Rajamouli, NTR and Ram Charan movies. I have been familiar with Devgn's Drishyam (also good). I just had ti watch this several times due to so many things one can find and the beauty of friendship and relationships in the world of freedom fighters. This is 11 but I can only give it 10/10 for sanity reason.

This is perhaps the worst acting I've ever seen - Plan 9 from Outer Space included - with post-production dubbed voices to boot! Add to that the most cringey, cartoonish pathetic storyline, and you're seriously wondering if this is all a joke. No, SERIOUSLY wondering.
I considered I might keep watching for the laughs (I was laughing from the very first scene with the lip surgery receiving evil white woman sitting in the jungle in the 1920s surrounded by kneeling indigenous worshippers and a terribly-dubbed studio recording of a little girl singing, with the girl not even remote knowing the lyrics and making all the wrong mouth movements to pretend it's actually her doing the singing). But then I realized at 3h5m, the cringey OMG-it's-so-bad-it's-funny laughs definitely wouldn't last that long.
Holy graboid on a blind horse, Batman, this is so bad!
No more Indian movies for me. Lesson learned.

My image of Indian movies, I confess, was that they were mostly musicals centering around a love story involving a very beautiful young woman and a very handsome young man, with lots of elaborate, high-energy dance numbers to keep things going.
There is a love story here, but it's not the focus of the film. There are also a few large and very impressive dance numbers, but only a few. (The men's dancing, extremely athletic, astounded me.)
Rather, this movie focuses on the story of two young men in 1920s India who, each in his own way, are fighting against the English occupiers.
The English are portrayed as inhuman monsters. Very often, they made me think of the worst atrocities committed by the Germans in France during World War II, or the most rabid racists in the American South. The first time we see the two male leads dancing, a link is indeed made between the Indians and what appear to be Black American musicians.
Every time the Indians manage to take revenge on the English for their inhuman abuse of the Indians, you cheer - but at times I wondered if I would have cheered watching a parallel movie about Blacks taking revenge on white racists who had mistreated them in the American South, especially if I had been in a movie theater where, like tonight, I was the only audience member who did not belong to the oppressed population. Imagine Spike Lee, for example, able to make a movie in which he did not have to worry about selling tickets to whites as well as Blacks, and you have some idea of how anti-British colonials this movie is. It is the difference between a society in which the oppressor was a small minority of the population vs. Here, where Blacks are a minority of the American population. I don't want to push this comparison too far. The movie only makes the connection in one scene. But this is very definitely a movie that focuses on the story of a brutally oppressed people seeking freedom from an inhuman oppressor, rather than just a series of dance numbers.
I don't speak any of the Indian languages used in the movie, but I had no problem following what was going on with the subtitles, which were almost always easy to read. I'm sure there were cultural references I didn't catch, however, especially at the end in the final big dance number, which seemed to be presenting India as a nation of different regions and cultures all united in one.
The director and cinematographer definitely deserve praise. There was one very striking visual image after the next, especially during the battle scenes. Ram Charan, dressed as a "native warrior"-if that term means anything anymore-flying through flames was breathtaking.
So, if you've even been curious about Indian movies, give this one a try. Yes, it's three hours long, but trust me, the time goes flying by. This is truly an action movie, a mixture of visual fantasy and often very graphic realism that held my interest to the end.
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